HONOLULU (January 12, 2012) - Manoa Valley Theatre today announced its
play choices for its six-play 2012-13 Season. The theatre's 44th
consecutive season includes four selections from the past four Broadway
seasons, plus one regional hit and an international mega-hit, for a
diverse linup with something for everybody.
"We're
confident that our lineup will entertain Hawaii audiences with a season
that is fun, outlandish, and unusual," MVT producing director Dwight
Martin remarked in making the season announcement. "We expect
to energize and electrify Hawaii audiences as well as Hawaii talent
with these thrilling Hawaii premieres. We know that Honolulu's
'Off-Broadway Playhouse' will have some of the hottest tickets in town
for this outstanding theatrical season."
The season will run from September to July.
| from
the 2009 Broadway season
YOUNG
FRANKENSTEIN
a musical
comedy
by Mel Brooks and
Thomas Meehan
September 2012
|
IT'S
ALIVE! This monster musical comedy is a wickedly inspired
re-imagining of the Frankenstein legend based on Mel Brooks'
classic 1974 comedy film masterpiece. Bright young Dr. Frankenstein
(that's Fronkensteen) attempts to complete his grandfather's
masterwork and bring a corpse to life. Together with his oddly
shaped and endearing helper Igor (that's Eye-gor), his curvaceous
lab assistant Inga (that's Inga), and in spite of his incredibly
self-involved madcap fiancé, Elizabeth, Frankenstein
succeeds in creating a monster -- but not without scary and
quite often hilarious complications. With such memorable tunes
as "The Transylvania Mania," "He Vas My Boyfriend"
and "Puttin' On The Ritz," this Mel Brooks musical
is scientifically-proven, monstrously good entertainment ...
and the only place you'll witness a singing and dancing laboratory
experiment in the largest tuxedo ever made.
The show
won the Outer Critics Circle Award for "Best Musical"
in 2008. |
| from
the 2009 Broadway season
SPEED
THE PLOW
a
dramatic comedy
by David Mamet
November 2012
|
Revived
on Broadway in 2008/9, this is a hilarious satire of Hollywood,
a culture as corrupt as the society it claims to reflect.
Charlie Fox has a terrific vehicle for a currently hot client.
Bringing the script to his friend Bobby Gould, the newly appointed
Head of Production at a major studio, both see the work as
their ticket to the Big Time. The star wants to do it; as
they prepare their pitch to the studio boss, Bobby wagers
Charlie that he can seduce the temp/secretary, Karen. As a
ruse, he gives her a novel by "some Eastern sissy"
writer that needs a courtesy read before being dismissed out
of hand. Karen slyly determines the novel, not the movie-star
script, should be the company's next film. She sleeps with
Bobby who is so smitten with Karen and her ideals that he
pleads with Charlie to drop the star project and pitch the
"Eastern sissy" writer's book.
The show received a
Tony Award nomination for "Best Play" in 1988. |
| from
the 2008 Broadway season
BOEING,
BOEING
a farce
by Marc Camoletti
January 2013 |
Revived
on Broadway in 2008, this 1960's French farce adapted for
the English-speaking stage features self-styled Parisian Lothario
Bernard, who has French, German and American fiancees, each
beautiful airline hostesses with frequent "layovers".
He keeps "one up, one down and one pending" until
unexpected schedule changes bring all three to Paris and Bernard's
apartment at the same time.
The
show received a Tony Award for "Best Revival of a Play"
in 2008. |
| from
the 2011 Broadway season
NEXT
TO NORMAL
a musical drama
by
Tom Kitt and Brian Yorkey
March 2013
|
This
acclaimed, groundbreaking musical with a thrilling contemporary
score is an emotional powerhouse of a musical about a family
trying to take care of themselves and each other. Its story
concerns a mother who struggles with worsening bipolar disorder
and the effect that her illness has on her family. The musical
also addresses such issues as grieving a loss, suicide, drug
abuse, ethics in modern psychiatry, and suburban life.
The
show was nominated for eleven 2009 Tony Awards and won three.
It also won the 2010 Pulitzer Prize for Drama, becoming just
the eighth musical in history to receive the honor.
|
| from
American regional theatre
BLOODY
MURDER
a mystery/farce
by Ed Sala
May 2013
|
This
twisted, fourth-wall-breaking, whodunit/spoof turns the murder-mystery
genre on its head. The wealthy Lady Somerset has assembled
an unlikely group of guests for a weekend at her lavish countryside
estate. The attendees represent the usual murder-mystery suspects;
we meet a middle-aged maid, a far-too innocent ingenue, an
enigmatic and well-preserved countess, a self-glorifying Major,
the ne'er-do-well nephew and an actor of former acclaim. Sure
enough, one of these people meets a mysterious and violent
end. But Lady Somerset takes an unusual turn by refusing to
call the authorities (although the bumbling police chief eventually
arrives) and she insists that she and her guests are simply
characters in a mystery story who must rebel against their
author. The players and their writer enter into a wild battle
of wills that delivers plenty of laughter and a surprising
end!
|
| from
the 1991 Broadway season
BUDDY:
THE BUDDY HOLLY STORY
a play with music
by Alan Janes
July 2013
|
This
musical roof-raiser tells the story of the three years in
which a thick-rimmed glasses wearing kid from Lubbock, Texas,
became the world's top recording artist with a show that features
over 20 of Buddy Holly's greatest hits including Peggy Sue,
That'll Be The Day, Oh Boy, Not Fade Away, Everyday, Rave
On, Maybe Baby, Raining In My Heart, Ritchie Valens' La Bamba,
and the Big Bopper's Chantilly Lace. The incredible legacy
of the young man with glasses, whose musical career spanned
an all-too-brief period during the golden days of rock 'n'
roll, lives on in this rock-n-roll extravaganza.
|
Plays
and dates subject to change under special circumstances.
Tickets
to all productions will go on sale in February.
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